Jasmin Vardimon Company

Jasmin Vardimon Company Jasmin Vardimon Company (JVC) is one of Britains most pioneering physical dance theatre companies, creating work that excites both the eye and the mind by pushing the boundaries of human physicality whilst engaging in universal, contemporary themes that strike an emotional chord.[1] In this piece of work I will be discussing one of Britains leading Contemporary Choreographers, Jasmin Vardimon. I will discuss her history, how she rose from the Kibbutz in Israel, to become one of the most influential and dynamic choreographers in Britain today. I will discuss her companys origin, her most important work to date, achievements and awards that she has received and how she is influencing the contemporary dance world in Britain and abroad today. Biography Born and raised on a Kibbutz in central Israel, Jasmin Vardimon has become a significant element within the British dance scene. Before turning to dance, Vardimon done military service at the age of 18 for two years, she also worked as a psychological interviewer, studying and interviewing people. She has made a name for herself throughout the years after first joining the Kibbutz Dance Company, which is one of Israels principal dance companies, before going on to win the British Council On the Way to London award in 1995.   After moving to London in 1997, Jasmin Vardimon founded her own company Zbang, which is now know as Jasmin Vardimon Company. Influences Throughout the past decade Jasmin Vardimon has developed a strong recognisable artistic voice in the contemporary world. Vardimons work is centred around the human behaviour, which is portrayed through the storyline of each piece. Vardmons choreography is Renowned for dynamic, funky and highly physical choreography that is thrilling to watch[2]. From personal experience of seeing Jasmin Vardimon show called Yesterday in the McRoberts Theatre, Stirling, I felt the performance was one of the few shows that I have seen, were I was unable to take my eyes off the dancers. The physical demands that the dancers face, such as the fluidity of the complex movements and how all the dancers have each series of sequences in perfect unison, also the way they were able to interpret each characters. The characterisation made the choreography and storyline so believable. In my opinion the show was absolutely breath taking. I read see and hear all the time and get influences from many little things, mostly from real life.[3] Human behaviour is a big influence in Jasmin Vardimons work, and this is strongly seen in her choreography. I believe that the psychological work that she did previous is one of her main inspiration when creating as she has a great understanding of the human psyche. Vardimons style merges together physical theatre and dance, with the outcome being energetic, explosive, beautiful with quirky character. Another influence in Jasmin Vardimons work is multimedia technology. In many of her works strong visual effects have been used to make the pieces come to life. Video recordings, video playback, special effects and complex lighting have been used to create the mood and atmosphere for the setting. When creating movement, Vardimon works hand in hand with her dancers giving them a chance to help create material, from which she will develop further, I work, a lot, with task orientated techniques so I would give [the dancers] a task and see how they react to my idea and then Ill take it from there.[4] Important works One of Jasmin Vardimons most important works to date I believe would have to be Yesterday. This production was choreographed for her company, Jasmin Vardimon Company, for their 10th anniversary tour, which began touring in Autumn 2008, and is still touring at present. YESTERDAY is a retrospective new piece featuring some of the most breath-taking duets, striking solos andiconic moments selected from the companys repertoire: Justitia, Park, Lullaby, Tà ªte, Lurelurelure and Ticklish.[5] As well as using material from those previous works, Vardimon has added in new highly convincing, exciting and complicated choreography to make the show come alive. With a wide range of multimedia technology being used to enhance the effect the audience will perceive, this show as having phenomenal reviews from critics. Jasmin Vardimon explains in an interview with Neil Nisbet in article 19, that this piece is not a new piece of work, but a collaboration of all her previous work she has done with her company Jasmin Vardimon Company, (JVC). As well as having and choreographing for her own company, Jasmin Vardimon has worked with many other companies Hellenic Dance (Athens), CandoCo, WID, Bare Bones, Transitions and curated the Dance Ballads Festival at the Oval House[7]. In 1998 Vardimon was Associate Artist at The place and from 1999 to 1005 she was a Yorkshire Dance Partner. She is currently Associate Artist at Sadlers Wells in London since 2006. During the past decade Jasmin Vardimon as receive numerous awards for her choreography and contribution to the contemporary dance world. Some of the many awards she has won are, Jerwood Choreography Award (2000), the London Art Board new Choreographers Award in 1998. She was also nominated for the Best Female Artist award at the Critics Circle National Dance Award in 2003. Jasmin Vardimon Company, is a international company performing in some of the highly profiled theatres around the world. The 10th anniversary tour is the biggest tour, the company has done to date, performing nationally and internationally in Europe and Asia. The company is based in Brighton though does not have a permanent residence there. The contribution Jasmin Vardimon is giving back to the contemporary world is through her educational outreach programme. There are two main workshops given, choreography and Repertoire, which is adapted for all levels. The workshops help to give dancers, amitoure and professional the chance to see how Vardimon works, also giving the dancers the chance to develop dance and theatre skills. The workshops can be tailored for the participants. They can be pure dance and physical theatre, or have a deeper look at social contents and problems such as bullying and illness. The workshops are run by members of the JVC giving the chance to learn first hand what its like to work in such a inspirational company. [1]http://www.jasminvardimon.com/media/press/JVC_Yesterday_PR.pdf,   PRESS RELEASE 15 July 2008 [2] www.Parktour.co.uk [3] http://www.londondance.com/content.asp?CategoryID=1509 [4] http://www.article19.co.uk/06/interview/jasmin_vardimon_1.php [5] http://www.jasminvardimon.com/productions.htm l [6] http://www.jasminvardimon.com/productions.html, The Times [7] http://www.jasminvardimon.com/who.html#jasmin bib http://www.britishcouncil.org/arts-performance_in_profile-2009-british_council-jasmin_vardimon_company.htm http://www.sadlerswells.com/show/Jasmin-Vardimon

Crap Music :: essays research papers

The essay I read suggested that people of low intelligence/class (i.e. teenagers) use â€Å"junk† music to try and drown out their supposedly harsh reality. The author also suggests that the more intelligent people in the world do not listen to loud music because the decibel level at which you listen to music somehow indicates your intelligence. I cannot agree with that statement because I have talked to my friends and aquaintences and they told me that music helps to lift their spirits and some even said that music helps them to cope with their reality. In addition, studies have shown that some people who listen to music while they study actually do better on the test the next day, because the music relaxes them. In the aforementioned essay, the author also mentions the â€Å"two slack-jawed young assistants.† This was quite obviously stating that the repairmen were of lower social standing, and that the â€Å"junk† music they were â€Å"blasting† was em phasizing their low class. The author continues on to mention â€Å"elevator music† and how it is alright to play it in factories and restaurants so that the personnell do not fall asleep or â€Å"brood on the essential monotony of their jobs.† I thought that the whole point of the essay was to complain about low class people trying to escape reality through music, and then he contradicts himself. He also said (essentially) that the young workers had no interest in the serene setting in which they were working, and the same goes for all low-class people. I find that laughable, as some of the greatest painters and artists, poets and writers were lower class citizens in their time. He states his opinion that people play such â€Å"junk† music not to bring something in, but to shut things out. Supposedly, people do not want to hear the music for sheer enjoyment, but rather we use it as a narcotic of sorts, blocking out reality and dispelling the thought-provoking silence that accosts us when we are alone. The author continues to get off topic by mentioning society’s so-called â€Å"televsion addiction†, the â€Å"sports mania†, and the â€Å"intense prioccupation with trivia†, which according to the author, which are all supposed factors in creating the vacuum that makes up people’s (mostly teenagers’) heads. Mr. Harris concludes with the statement, â€Å"†¦this great gift has been turned against itself, creating a cacophony to dull and deaden and dehumanize the soul.

Food and Beverage control System Essay

Food and beverage control systems can help you introduce the same financial rigour to your dining establishment or catering company that you’ll find in manufacturing operations. What is a food and beverage control system? A food and beverage control system is a means of computerizing best practice within a restaurant or catering operation. It gives managers a better idea of the flow of food through the restaurant, enabling them to plan cash flow and stock control more effectively. At the sharp end, it provides chefs with a more structured way of planning menus, taking into account nutritional and financial considerations. Importance of food and beverage control system In areas like manufacturing, companies keep close tabs on the manufacturing cost and value of their products. And yet in dining establishments, the core product — the food — is often not subject to the same scrutiny. Food control in many establishments is chaotic and unstructured. Restaurant budgets are often based on what was achieved last year. Ideally, chefs should be able to cost out each item on a menu, creating a clear picture of the cost of each sale to measure against its revenue. This helps you to understand which the most profitable items are, and whether you are keeping food wastage low enough to hit the profitability targets that you have set yourself. Putting in place a proper food and beverage control system will help you to make more intelligent decisions that help to cut the overall cost of sale for an establishment while maintaining profits. For example, if you find that your overheads are too high, you may be able to cut items from the menu that have a higher cost-to-revenue ratio. Features of food and beverage control system There are several key features that dining establishments should consider when purchasing a food and beverage control system.

What Is Philosophy How Does It Influence Our Lives

What is philosophy? Why study it? What purpose does it have? How does it influence our lives? According to Google, â€Å"philosophy is the study of the fundamental nature of knowledge, reality, and existence, especially when considered as an academic discipline.† But how does it influence us? Why should we study it? What purpose will it serve – if we do? Before we can understand the purposes that philosophy will serve. We must first understand why we must study it and how it will influence us. We study philosophy so not to be taken in by demagoguery. We study philosophy to train our minds to never fall victim to limiting our minds to this phantasmagoria-paradigm that we call reality. We live in a world of let me see if I can change your mind. 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